Table of Contents
Editorial
| Editorial | |
| Álvaro Mendes Barbosa | 0-3 |
Articles
| Virtual Restoration of a XVIII Century Sculpture | |
| Francisco Gaitto Pereira, Jorgelina Carballo Martínez, Ana Bidarra Lourenço | 4-13 |
| The interactive potential of post-modern film narrative - Frequency, Order and Simultaneity | |
| Carlos Sena Caires | 14-25 |
| Fundamentals and Principles of Musical Telepresence | |
| Alexander Carôt, Christian Werner | 26-37 |
| Case studies in live electronic music preservation : Recasting Jorge Peixinho's Harmónicos (1967-1986) and Sax-Blue (1984-1992) | |
| António de Sousa Dias | 38-47 |
| Collaborative Composition For Musical Robots | |
| Ajay Kapur, Arne Eigenfeldt, Curtis Bahn, W. Andrew Schloss | 48-52 |
| Music Societies in the 19th Century Oporto : Private Spaces of Amateur and Professional Music Making | |
| Ana Maria Liberal | 53-71 |
| Repetitions, dichotomies and transference in European cinema of the 20s | |
| Alexandra Serapicos | 72-78 |
Reviews
| ANACHRONIQUES | |
| Maria de Fátima Lambert | 80-85 |
| Artech 2008 | |
| João Cordeiro, Luís Gustavo Martins | 86-91 |
| MÚ́SICA VIVA FESTIVAL CELEBRATES FOURTEEN SEASONS | |
| Pedro Junqueira Maia | 92-96 |
UCP Porto: Rua Diogo Botelho 1327, 4169-005 Porto, Portugal | tel: +351 226196200 | fax: +351 226196291 | email:citarjournal@porto.ucp.pt
Journal of Science and Technology of the Arts
