Regarding Value in Digital Serendipitous Interactions

Ricardo Melo, Miguel Carvalhais

 
   

Abstract


Digital technologies have become our privileged method of interacting with information. With their ubiquity, and focus on personalisation, optimisation and functionality, chance and accidental interactions in the Digital Medium are being replaced with filtered, predictable and known ones, limiting the scope of possible user experiences.

In order to promote the design of richer experiences that go beyond the functionally-driven paradigm, we propose that digital systems be designed in order to favour serendipity. Through a literature-based analysis of serendipity, we explore the distinct meanings of value that are possible with serendipitous systems, offering examples of the current state of the art, observing the methods used to do so, and proposing a possible typology, while highlighting unexplored fields, experiences and interactions. 


Keywords


Serendipity; Interaction; Experience; Digital Medium; Design; Defamiliarisation; Creativity.

Full Text:

PDF

References


Boden, M. A. (2004). The Creative Mind: Myths and Mechanisms. Psychology Press.

Boden, M. A. (2010). Creativity and Art: Three Roads to Surprise. Oxford University Press.

Campos, J., & Figueiredo, A. D. de. (2002). Programming for Serendipity. Proc of the AAAI Fall Symposium on Chance.

https://doi.org/10.2139/ssrn.1385402

Dunne, A. (2005). Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design. The MIT Press.

Erdelez, S. (1997). Information encountering: a conceptual framework for accidental information discovery. Presented at the ISIC Proceedings of an international conference on Information seeking in context.

Fidel, R. (2012). Human Information Interaction: An Ecological Approach to Information Behavior. MIT Press.

https://doi.org/10.7551/mitpress/9780262017008.001.0001

Fine, G. A., & Deegan, J. G. (1996). Three principles of serendip: insight, chance, and discovery in qualitative research. International Journal of Qualitative Studies in Education, 9(4), 434–447.

https://doi.org/10.1080/0951839960090405

Galanter, P. (2003). What is Generative Art? Complexity theory as a context for art theory. In GA2003–6th Generative Art Conference.

Leong, T. W., Howard, S., & Vetere, F. (2008). Choice: abidcating or exercising? (p. 715). Presented at the CHI '08: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, New York, New York, USA: ACM Request Permissions.

https://doi.org/10.1145/1357054.1357168

Löwgren, J., & Stolterman, E. (2004). Thoughtful Interaction Design: A Design Perspective on Information Technology.

Melo, R., & Carvalhais, M. (2016a). Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems. Presented at the 22nd International Symposium on Electronic Art ISEA Hong Kong Cultural Revolution, Hong Kong.

Melo, R., & Carvalhais, M. (2016b). Defamiliarisation towards Divergency. Presented at the xCoAx - 4th Conference on Computation, Communication, Aesthetics X. Bergamo.

Merton, R. K. (1968). Social Theory and Social Structure. Free Press.

Merton, R. K., & Barber, E. (2004). The Travels and Adventures of Serendipity. Princeton University Press.

Murray, J. H. (2012). Inventing the Medium: Principles of Interaction Design as a Cultural Practice. MIT Press.

Pariser, E. (2011). The Filter Bubble: How the New Personalized Web Is Changing What We Read and How We Think. Penguin Group US.

Shklovsky, V. (1917). Art as technique.

Van Andel, P. (1994). Anatomy of the unsought finding. Serendipity: Origin, history, domains, traditions, appearances, patterns and programmability. British Journal for the Philosophy of Science, 45(2), 631–648.

https://doi.org/10.1093/bjps/45.2.631

Wilson, D., & Sicart, M. (2010). Now It's Personal: On Abusive Game Design (pp. 40–47). Presented at the the International Academic Conference, New York, New York, USA: ACM Press.

https://doi.org/10.1145/1920778.1920785

Zuckerman, E. (2014). Digital Cosmopolitans: Why We Think the Internet Connects Us, Why It Doesn't, and How to Rewire It. W. W. Norton, Incorporated.




DOI: http://dx.doi.org/10.7559/citarj.v8i2.182

Cited by

Refbacks

  • There are currently no refbacks.


Bookmark and Share


Journal of Science and Technology of the Arts
Revista de Ciência e Tecnologia das Artes
ISSN: 1646-9798
e-ISSN: 2183-0088
Portuguese Catholic University | Porto

Esta revista científica é financiada por Fundos Nacionais através da FCT – Fundação para a Ciência e a Tecnologia


 Governo da República Portuguesa