Perspectives on digital computational systems as aesthetic artifacts

Luísa Ribas



This paper addresses the study of digital computational systems as aesthetic artifacts seeking to provide instruments for their analysis and critical understanding. What this aim implies is the need to articulate complementary perspectives for considering not only their specificity as digital computational (software-driven) systems, but also the different aesthetic intents that drive the creation of these artifacts, as well as the kinds of experience they propose. This approach entails articulating the viewpoint of their creation or poetics with the viewpoint of their experience or aesthetics, while tackling into their enacted processes. Accordingly, this paper discusses concepts, models and frameworks that not only argue on the distinctive processual nature of these systems, but also stress the interdependency of views on their principles, mechanics and experience.


Digital; Computational; Art; Design; Aesthetics; Models; Frameworks.

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Journal of Science and Technology of the Arts
Revista de Ciência e Tecnologia das Artes
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